Life of Brian/Pythons vs Christians

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[edit] Life of Brian

(from left to right) Mervyn Stockwood (The Bishop of Southwark), Malcolm Muggeridge, John Cleese and Michael Palin on Friday Night, Saturday Morning. Stockwood is telling Cleese and Palin "you'll get your thirty pieces of silver"
(from left to right) Mervyn Stockwood (The Bishop of Southwark), Malcolm Muggeridge, John Cleese and Michael Palin on Friday Night, Saturday Morning. Stockwood is telling Cleese and Palin "you'll get your thirty pieces of silver"

On the edition of 9 November 1979, hosted by Tim Rice, a discussion was held about the then new movie Life of Brian. The film had been banned by many local councils and caused protests throughout the world with accusations that it was blasphemous. To argue in favour of this accusation were broadcaster and noted Christian Malcolm Muggeridge and Mervyn Stockwood (the then Bishop of Southwark). In its defence were two members of the Monty Python team, John Cleese and Michael Palin.

According to Monty Python - The Case Against by Robert Hewison the show "began affably enough, with Cleese and Palin talking on their own to their host, Tim Rice - himself the lyricist of Jesus Christ Superstar, (which itself had been accused of blasphemy a decade before). Hewison continues "but while a second clip from the film was being shown, Stockwood and Muggeridge came on to the set. The full effect of the entry of the Bishop in his sweeping purple cassock and chunky cross was missed by the television audience, who found him already seated beside a bronzed and gleaming Malcolm Muggeridge when the film excerpt ended. Tim Rice explained that Stockwood and Muggeridge had seen the film earlier in the day and invited their comments. With that, the gloves were off."

The debate was heated from the beginning when Muggeridge began with:

Malcolm Muggeridge|Muggeridge: I came on this programme, before seeing the film, to say that it was morally without merit and undeniably reprehensible.

Michael Palin|Palin: Yes, you started with an open mind, I realize that. [1]

The Pythons seemed shocked by the aggression of the attack, especially as all four had met before the show, and there seemed no hint as to what was to come.

The Bishop made the point that without Jesus this film could not exist, and ignored the Pythons' protestations that the film was about the abuse of faith, not faith itself.

Michael Palin noted of The Bishop in his diaries published in 2006 "he began, with notes carefully hidden in his crotch, tucked down well out of camera range, to give a short sermon, addressed not to John or myself but to the audience. In the first three or four minutes he had brought in Nicolae Ceauşescu and Mao Zedong and not begun to make one point about the film. Then he began to turn to the movie. He accused us of making a mockery of the work of Mother Teresa, of being undergraduate and mentally unstable. He made these remarks with all the smug and patronising paraphernalia of the gallery-player, who believes that the audience will see he is right, because he is a bishop and we're not".

Muggeridge complained about the ease with which the Pythons "were able to extract humour from the most solemn of mysteries". He said he was upset that this film was to him, denigrating the one man responsible for all art ever invented. Cleese was keen to point out that there were other religions, and that civilisation existed before Christ. Michael Palin says of this incident in the book The Pythons edited by Bob McCabe, that when Muggeridge said "that Christianity had been responsible for more good in the world than any other force in history", John said "what about the Spanish Inquisition?"

The studio audience appear to be on the side of the Pythons throughout, especially when Cleese says, "Three hundred years ago, if we'd said what we are saying in this film, we would have been burnt at the stake. Now, I'm suggesting that we've made some kind of an advance."

In fact at some points, The Pythons tried to control the audience who they felt were showing too much partisanship in their favour.

Cleese, in defence of the film goes on to say that it was about "closed systems of thought, whether they are political or theological or religious or whatever: systems by which whatever evidence is given to a person, he merely adapts it, fits it into his ideology".

John Cleese tells Malcolm Muggeridge "Three hundred years ago, if we'd said what we are saying in this film, we would have been burnt at the stake. Now, I'm suggesting that we've made some kind of an advance.
John Cleese tells Malcolm Muggeridge "Three hundred years ago, if we'd said what we are saying in this film, we would have been burnt at the stake. Now, I'm suggesting that we've made some kind of an advance.
"

As the debate went on, The Pythons found it harder to be polite, especially as their opponents would barely let them get a word in. According to Palin, the bishop was "outrageously dismissing any points we made as 'rubbish' or 'unworthy of an educated man'".

Stockwood was particularly upset at the use of the crucifixion, forgetting the distinction between it as Christian symbol and its use as a traditional Roman punishment. The debate ended with the Bishop pointing at the Pythons and saying "you'll get your thirty pieces of silver".

Cleese has frequently said that he enjoyed the debate, since he felt that the film was "completely intellectually defensible".

Palin told McCabe: "It turned out, after the show, that they'd missed the first fifteen minutes of the film, they'd been having a nice lunch. John was brilliant in that show. I remember it used to be Douglas Adams's favourite bit of television... He thought is was such a rivetting piece of TV, and it really is". Palin also claimed that after the discussion that both his foes said "how pathetic, hopeless and meaningless and juvenile it was, instead of there being any sort of division between us afterwards, they came up as though we'd all been 'showbiz' together, out doing an entertainment, with the bishop saying 'That all seemed to go very well'. I hadn't realised they weren't being vindictive, they were just performing to the crowd."

Also backstage, according to Palin, he'd met Raymond Johnston from The Festival of Light, a prominent Christian group who had been campaigning to have Life of Brian banned. [2] Instead of aggression though, Johnston was most complimentary to Palin, saying he had been embarrassed by the performance of the bishop. Palin says "he had found it quite clear that Brian and Jesus were separate people", and that the film was making some "very valid points about organised religions".

Looking back, Michael Palin recalled in The Guardian that: "[w]e had done our homework, thinking we were going to get into quite a tough theological argument, but it turned out to be virtually a slanging match. We were very surprised by that. I don't get angry very often, but I got incandescent with rage at their attitude and the smugness of it". Cleese preferred to sum it all up by saying "I always felt we won that one by behaving better than the Christians". [3]

[edit] Footnotes

  1. Cook'd and Bomb'd
  2. Welease Bwian
  3. Welease Bwian
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